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Simultaneously, the inner rims of the folds press together permitting only a shorter section to vibrate. As they do so, the muscles of the folds become thinner. In order to achieve faster vibrations (higher pitches), your larynx tilts down into the center of the throat so that the vocal folds can lengthen. The front tip of the larynx is your Adam’s apple. Your two vocal folds, incorrectly called vocal cords, lie horizontally side by side across the top of your windpipe inside the larynx. You need some knowledge of your larynx, more commonly called the voice box, to understand why the register break occurs. The register of notes above the register break is often thought of by men as their “falsetto” range and by women as their “head voice.” Register Break Anatomy. Above these notes, the singer may be able to regain a sense of vocal control and recapture some vocal quality. For women, it is either those same notes an octave higher, or a Bb to a C# above Middle C. Though there are some variations, this break is normally experienced from the E to F# above Middle C for men.

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This is usually between one to three crossover notes which suddenly become weak or crack and are difficult to control. In classical voice training, this is called the “passage” or passagio (a passageway between two sections of vocal range). Let’s define “register break” as those few transitional notes that crossover from your lower to your upper range where your voice suddenly cracks, becomes weak or is difficult to control. But is it really true that this is a natural part of a person’s voice? Register Break Defined.

This belief alone causes them to invent ways of hiding or maneuvering around an aspect of their voice they wish was not there. Still, others have come to believe that the “breaking point” in their range, or register break, is a natural part of a singer’s voice. A “breaking point” that segments their range. Many singers lack the confidence to be fully expressive performers because of either: 1.

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